Actor • Author • Director
Bringing characters to life on stage and on the page — from the footlights of the theater to the quiet intensity of the written word.
About Me
Max Geide is a Sacramento-based actor, director, and author whose work spans the footlights of community theater and the pages of literary fiction. A 2024 Arty Award winner and 2025 NorBay Theater Award winner, he brings nuance and full commitment to every role — whether in front of an audience or at a keyboard.
The best roles — on stage or on the page — are the ones that cost you something.
On stage
A longtime fixture of the Bay Area and Sacramento theater communities, Max has appeared with Lucky Penny Productions, 6th Street Playhouse, Sonoma Arts Live, and The Actors Playpen. He is currently playing Robert Martin in The Drowsy Chaperone with Lucky Penny Productions in Napa, opening May 29, 2026. He has also directed, most notably Lizzie with The Actors Playpen, which took home the 2017 Elly Award for Best Musical.
Training
Voice with Miranda Lawson — Shakespeare with Ian Hopps — Dance (Musical Theatre, Jazz, Contemporary) with various instructors. Accents: Southern, British.
On the page
Max is developing two novels: One May Smile, a psychological thriller set at an elite New England college, and A Body in the Blue Hour, a Palm Springs noir about a man who slowly realizes he has authored his own crime.
Credits
| Production | Role | Company | Note | |
|---|---|---|---|---|
| Theater — Actor | ||||
| The Drowsy Chaperone | Robert Martin | Lucky Penny Productions | Current | |
| Peter and Alice | Peter Davies | Lucky Penny — Dir. Alexander Gomez | ||
| Rumors | Lenny Ganz | Sonoma Arts Live — Dir. Larry Williams | 2025 NorBay — Lead Actor Nominee |
|
| Other Desert Cities | Trip Wyeth | Lucky Penny — Dir. Dana Nelson-Isaacs | 2025 NorBay Winner — Supporting Actor |
|
| The Glass Menagerie | Jim O'Connor | Lucky Penny — Dir. Barry Martin | ||
| Almost, Maine | Various Roles | Lucky Penny — Dir. Alexander Gomez | 2024 Arty Award — Lead Actor |
|
| A Chorus Line | Al DeLuca | 6th Street Playhouse — Dir. Joe Higgins | ||
| Bye, Bye, Birdie | Conrad Birdie | 6th Street Playhouse — Dir. Holly Vinson | ||
| Theater — Director | ||||
| Lizzie | Director | The Actors Playpen — Sacramento, CA | 2017 Elly Award — Best Musical |
|
* Bay Area & Sacramento community theater credits
Writing
Psychological Thriller • Novel
The most dangerous person in any room is the one who knows everyone's secrets.
An elite New England college. Unreliable narrators. A blackmail system inherited by a therapist who never wanted it. When the architecture of mutual ruin starts to collapse, everyone who built it has something to lose.
Noir • Novel
He thought he was writing fiction. He was writing a confession.
Palm Springs, just before dawn. A protagonist who slowly realizes he has authored his own crime. Desert heat, shifting alliances, and the creeping horror of recognizing yourself in the wrong story.
Media
Max Geide’s one-man recap of the entire situation is worth the ticket alone.
Lenny Ganz, played by Max Geide, unleashes a finale-worthy monologue that practically shakes the stage.
Peter & Alice is a show not to be missed. This script is so tight and these actors are so earnest that one might leave with some tears.
It’s Geide who really shines. The role of Lenny is legendary for the level of control, skill and energy needed to do it well, and Geide goes all in.
Media
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Photography
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Contact
Whether you're a casting director, fellow artist, journalist, or just a fan of the work — I'd love to hear from you.
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Substack
Newsletter & Writing
Essays, updates, and the occasional backstage dispatch. Writing about theater, fiction, the creative life, and whatever else refuses to stay quiet. Published when there’s something worth saying — never just to fill space. Free to read, free to subscribe.
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